HOW 讲座 | 丹尼尔·阿尔轩：现在在现

时间：

2019.6.29（周六） 15:00-16:30

地点：

昊美术馆旁昊美艺术酒店三楼万美厅

费用：

包含讲座及展览门票

普通票：120元/人

会员票：免费（限额20人）

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丹尼尔·阿尔轩将于

昊美术馆呈现上海首次艺术家讲座

艺术家丹尼尔·阿尔轩的美学围绕其关于“虚构考古”的概念而展开。通过在雕塑、建筑、绘画、电影等领域的工作，他创造并诠释了空间和情境中的暧昧区域，并进一步提出作为未来遗物的当下这一概念。大量的日常物件摆脱了原本的功用性语境，如同“石化的木头或者庞贝古城的旧物”般保留。过去和未来的对话凝结于经过火山灰、黑曜石，炭灰和粉晶等地质材料钙化处理后的现代文明产物中，时间的双重性赋予虚拟建构的考古现场独特的韵律，投射出当下的城市生活经验及主流意识形态的生产消费模式。

The Dying Gaul Revisited, 2015, Selenite and hydrostone, 90 x 170 x 80 cm. Courtesy of the Artist and Perrotin

Volcanic Ash Eroded Keyboard, 2014, Volcanic ash, pulverized glass, and hydrostone, 39.5 x 133 x12.5 cm. Courtesy of the Artist and Perrotin

Pink Selenite and Rose Quartz Eroded Rabbit, 2017, Pink selenite, rose quartz, and hydrostone, 71.1 x 33. x 17.8 cm. Courtesy of the Artist and Perrotin

此讲座将系统性呈现艺术家对其个人创作理念、脉络的梳理和剖析。艺术家出于何种考虑选取火山灰、水晶等非传统材料来契合其艺术表达？他的作品如何对艺术史上的传统雕塑及绘画进行借鉴和挪用？建筑出身的他以何种姿态审视以柯布西耶为代表的现代主义？建筑、雕塑、舞台设计、电影等不同领域的美学观念如何被艺术家批判性地选取并吸收？

Future, 2017, Fiberglass, eposy resin, burlap, joint compound, paint, 475 x 243.8 x 33 cm. Courtesy of the Artist and Perrotin

Extruded Hands, 2017, Firberglass, plaster, and paint, 68 x 70 x 55 cm. Courtesy of the Artist and Perrotin

Another Light (Blue), 2008, Gouache on Mylar, 40.5 x 58.5cm. Courtesy of the Artist and Perrotin

Figure, 2010, Gouache on Mylar, 227.3 x 172.7 cm. Courtesy of the Artist and Perrotin

ODE_EON (set for Merce Cunningham's eyeSpace), 2007, Wood, aluminum, acrylic, foam and epox, 670 x 980 x210cm. Courtesy of  the Artist and Perrotin

Rules of Gme (Collaboration with Jonah Bokaer), 2016, Soluna Festival, AT&T Peforming Arts Center, Dallas, Original score by Pharrel Williams. Courtesy of the Artist and Perrotin

艺术家讲座后，丹尼尔·阿尔轩将留出充裕时间与现场观众互动，解答观众疑问。艺术家熟稔全球化及社交媒体时代的语言体系，其多领域跨界合作既是个人艺术实践的延伸，亦消解了观众和当代艺术的壁垒。讲座名额有限，欢迎大家踊跃参与。

关于艺术家

丹尼尔·阿尔轩

Daniel Arsham

丹尼尔·阿尔轩成长于迈阿密，曾就读于纽约库伯联盟学院，并于2003年获得格尔曼奖学金。结构实验、历史质询与反讽，都与阿尔轩正在进行的对现实和想象的质疑相结合。从职业生涯早期开始，他就对合作充满的兴趣。在2004年，传奇编舞家摩斯·肯宁汉邀请阿尔轩为他的作品“眼空间”做舞台设计，并与与罗伯特·威尔逊及与前肯宁汉舞蹈家乔纳·博卡尔持续合作。为进一步扩大空间操控和协作的可能性，阿尔轩于2007年与亚历克斯·慕斯多宁一起创立了建筑工作室Snarkitecture。阿尔轩的近期合作包括与著名音乐家、制作人法瑞尔·威廉姆斯合作，参与其首个火山灰键盘的创作。

阿尔轩的作品曾在纽约PS1、迈阿密当代艺术博物馆、希腊雅典双年展、纽约新美术馆、加利福尼亚奥克兰米尔斯学院美术馆，和法国尼姆艺术中心展出。第一本关于他的出版物由法国国家艺术中心出版，第二本则由贝浩登画廊于2012年出版。

Time：

2019.6.29 15:00-16:30

Venue: 

Ballroom B, 3F, Onehome Art Hotel

Ordinary Tickets（The Price includes Exhibition tickets and lecture ）: 

120RMB/person

VIP Tickets: 

Free of charge (limited 20 seats)

*The number of participants is limited, please scan the QR code below to make an appointment. For the first registration, please register according to the jump prompt.

(For HOW Member ticket)

（For ordinary ticket）

Daniel Arsham Artist Talk 

Premiere Presents at How Museum in Shanghai

Artist Daniel Arsham’s aesthetic revolves around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallizes ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. A huge number of everyday items were taken out from primitive functional context, “preserved” in his words, “like the petrified wood or the figures of Pompeii”. The dialogue between past and future is coagulated in modern civilized artifacts after being calcified by geological materials including volcanic ash, obsidian, glacial rock, and rose quartz. The duality of time has endowed the virtually-built archaeological site with a unique rhythm, which reflects the pattern of production and consumption under the mainstream ideology as well as contemporary urban experience.

Welcome to the Future, 2015, Various geological materials, 670.6 x 670.6 x 457 cm. Courtesy of the Artist and Perrotin

Crystal Eroded Bulls Jacket, 2016, Quartz crystal and hydrostone, 96.5 x 76.2 x 33 cm. Courtesy of the Artist and Perrotin

This lecture systematically illustrates how the artist organizes and analyzes the concept and philosophy of his artistic practices. Out of what consideration does the he choose unconventional materials such as volcanic ashes, crystals, obsidian to represent his ideas? How does his work refer to and re-appropriate the traditional sculptures and paintings in art history? How does he examine modernism, represented by Le Corbusier, as an artist with proximity to architecture? How does he critically select and absorb different aesthetic conceptions from the various fields of architecture, sculpture, stage design, and film?

Bound Figure, 2014, Fiberglass, paint, joint compound, fabric, shoes, 195.6 x 139.7 x 55.9 cm. Courtesy of the Artist and Perrotin

Large Vent Anomaly, 2017, Plaster, steel, and paint, 200 x 244 x 27 cm. Courtesy of the Artist and Perrotin

Pixel Clouds (Set for Merce Cunningham), 2011, Installation View, Park Avenue Armory, New York. Courtesy of the Artist and Perrotin

ODE_EON (set for Merce Cunningham's eyeSpace), 2007, Wood, aluminum, acrylic, foam and epox, 670 x 980 x210cm. Courtesy of the Artist and Perrotin

After the lecture, the artist will take a Q&A session interacting with audiences. He has a deep understanding of language constructed by globalization and social media. His multi-disciplinary collaboration is an extension of personal art practices, bridging audiences and traditional cultural barriers. Seats are limited and all are welcomed!

About The Artist

丹尼尔·阿尔轩

Daniel Arsham

Raised in Miami, Daniel Arsham attended the Cooper Union in New York City where he received the Gelman Trust Fellowship Award in 2003. Structural experiment, historical inquiry, and satirical with all combine in Arsham’s ongoing interrogation of the real and the imagined. His interest in collaboration began early. In 2004 legendary choreographer Merce Cunningham asked Arsham to create the stage design for his work eyeSpace. Despite never being trained in stage design he has continued his practice, collaborating with Robert Wilson, as well as a sustained collaboration with Jonah Bokaer. To further expand the possibilities of spatial manipulation and collaboration, Arsham founded Snarkitecture in 2007 with partner Alex Mustonen to serve new and imaginative purposes. Arsham’s most recent collaboration with world renowned musician and producer Pharrell Williams involved the recreation in Volcanic Ash of Pharrell’s first keyboard.

Arsham’s work has been shown at PS1 in New York, The Museum of Contemporary Art in Miami, The Athens Bienniale in Athens, Greece, The New Museum In New York, Mills College Art Museum in Oakland, California and Carréd’Art de Nîmes, France among others. A first monograph of Arsham’s work was published by the French Centre National des arts plastiques and a second one was published by Galerie Perrotin in 2012. 

点击以下链接了解更多展览相关内容：

HOW新展 | 丹尼尔·阿尔轩：不被定义的自由

HOW VISION | 丹尼尔·阿尔轩：“记住未来”

丹尼尔·阿尔轩亚洲首场美术馆个展

“现在在现”

6月29日登陆昊美术馆（上海）

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现价80RMB

（原价120RMB）

预售时间：2019.5.27-6.28

使用时间：2019.6.29-10.24

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